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originalfatfiction · 7 months ago

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All the World's a Stage

I was your typical drama-geek, though a lot more subdued—hopefully. I prayed I wasn’t as obnoxious as those kids on TV shows about high school students. I wasn’t constantly giving long monologues about the idiocy of mainstream culture or strumming a guitar singing covers of Bruno Mars songs. I just highly valued theater as an art form. Man, that seemed kind of pretentious, but it was true! As lame as it may have sounded, theater was honestly my life. I had been in every production since freshman year—the fall plays, winter dramas, and spring musicals.

Sure, I was a good student, but that wasn’t fun. And it wasn’t like I was athletic or exceedingly popular. My passion was performing on stage, no doubt about it, and it was a surprise even to myself. I didn’t talk much, and I dreaded holding conversation with people. When I was in the fall play freshman year, it was the first time many of my peers heard my voice. I will say as I’ve matured, I’ve become more willing to speak up for myself, but four years ago you couldn’t pay me to answer a question in class, even if I was a hundred percent sure of the answer.

I worked hard as a member of the Jackson High Thespian Troupe. I was incredibly dedicated to all of our productions, and I had even gotten the lead role in two separate shows. I was hoping to get the lead in the fall play this year, which would be Of Mice and Men. It was the story of the big, lovable oaf Lennie and his cynical pal George during the Great Depression.

The Troupe had absolutely no clue who our Lennie Small would be. Nobody in our productions stood any taller than six feet, which was nowhere near as imposing as we needed our Lennie to be.

I was short, only about 5’6” and slim. Most of the drama crew was pretty small in terms of stature and weight. Everyone was really body conscious in the drama club. Most people didn’t outwardly speak badly of our larger members, but there was always an underlying negativity.

I was black, mostly. My dad was half-white, but for all intents and purposes, I was black. I thankfully had some natural muscularity, so I wasn’t all skin and bones. As I’ve said, I wasn’t much of an athlete. I couldn’t do anything involving balls, bats, or racquets. Running and swimming I was okay at, but other than that I was hopeless. My dad had been crushed by the fact that I couldn’t even get a hit playing T-Ball. I’d close my eyes every time I swung the bat. I was a regular Hank Aaron (I knew he was good, but I couldn’t for the life of me tell you when he played or what team he was on. My dad loved the guy, claiming he was one of the greats). Thankfully, my younger brothers were already showing signs of being potential MLB all-stars. I’d just have to accept that I would never meet my father’s expectations.

We were in the second week of September (we had been in school for about three weeks) and the weather was still fairly hot. I loved warm weather and the sun and the beach. I was still rocking my summer skin tone, so I had a golden-brown complexion. I’d get lighter as we went into the colder months, but for now I had a beautiful healthy glow. I hated winter. I was my worst self in layers and layers of clothing.

We’d had auditions last Thursday and after the roles were cast, the production would move next-level fast. It happened with every production; there was never as much time to prepare as we thought there’d be. I had auditioned for George. I went to the school’s bulletin board right outside of the main office that Monday to see if I had been cast. I was so nervous. The Troupe had become my whole life.

George—Kyle Donnelly

Candy—Hallie James

Curley—Jimmy Ignacio

Curley’s Wife—Jane Kingston

Slim—Raul Mota

Crooks—Richard Smith

Carlson—John Waterson

The Boss—Ken Ortega

Whit—Holden Sanders

Lennie and Candy’s Dog—TBD

I couldn’t believe it. I’d been cast as Whit. How in the hell was I cast as Whit? I mean, come on! He had fewer lines than Candy’s dog. I almost cried right there, and then I felt really silly about crying publicly over a high school adaptation of a John Steinbeck novel. I held back my urge to sob and made my way to the bathroom. I locked myself in a stall and let a few tears escape my eyes. Sure, it was silly, but it still meant a lot to me. This would be my last fall play ever. I was eighteen years old and graduating from high school in less than nine months. I had to make the most of every day I had left. I balled my hands into fists and closed my eyes. But wait! The worst part wasn’t even the fact I was cast in a role that could be performed by a mannequin—no, the worst fucking part would have to be that the lead went to Kyle Donnelly, who was a terrible actor and a total ass. His vibes were way harsh. I knew I didn’t like him, and he’d pissed off numerous members of the Troupe, but he was still an integral member (his parents donated a lot of time and money to the drama club).

I had to calm down. This was no time for a meltdown. There was still the winter drama and spring musical.

I exited the stall and headed to class feeling worthless. I almost considered dropping out. I swear, if I didn’t get the lead in the musical, I’d blow my brains out. I had Spanish IV first period, followed by AP Calc and AP Bio. English IV was fourth period, with the head faculty director Mr. Murray.

I didn’t want to see him. He and the student director, Eva Porter, were the ones responsible for casting me as Whit. I’d spent the first three periods of my day hearing about how crazy it was that Kyle would be the lead. It’d been brought up numerous times in shady remarks that Kyle and Eva dating probably played a major part in him getting the role of George. I wanted to believe Eva had integrity, so I ignored the gossip.

Mr. Murray was one of the oldest teachers in the school. He was pushing seventy, and nobody understood why he hadn’t retired yet. Kids said it was because he never got married or had children and that he wouldn’t know what to do with all that time to himself. Sometimes I thought I might end up like him, and it freaked me out. He was totally a latent homosexual. He mentioned women sometimes, but in a half-hearted way that made it seem like he was covering up something. (“Oh, that Saoirse Ronan is a beauty. If I were her age, I might be willing to settle down.”)

But at the end of the day, I was gay—and I was sure people knew it. Most of my closest friends in the Troupe knew. I didn’t try to act all manly and stuff to hide who I was; I wasn’t that type of guy. But still, even though I was doing my best to be true to myself, I still worried about what people thought of me. Did I speak too girlishly? Did I move my hands too much when I talked? Did it ruin my chances of playing some of the great roles in theater history?

I sat at my desk as class started, totally disinterested in what Mr. Murray was talking about until he started a class discussion. This old queen was ruthless during class discussions, going out of his way to pick on the unprepared and the distracted. He wasn’t about to catch me slipping.

“We’ve just discussed some of the context of the poem, which now gives us an opportunity to analyze it further,” Mr. Murray said, looking from face to face of each of my classmates, deciding who he’d engage with one-on-one. “Why does this poem relate to life even today?” he asked the class as a whole. A couple of kids shrank back into the seats of their desks, some stiffened up and stared straight ahead. Mr. Murray was scanning the room, like some sort of rogue robot from the future trying to determine which life form would be most beneficial to exterminate.

I looked at Mr. Murray, who had his sights set on Gregory Williams. He was the worst English student ever. Hell, he was probably the worst student ever. Gregory nervously flipped through his notebook, which looked packed with information. Who had written that stuff down for him? It probably wasn’t even notes for this class. He was probably one of those students who used one notebook for all seven periods.

But still, I couldn’t stand to see such a big lug in distress. I had to intercept Mr. Murray’s attack. The poem was fairly simple to understand, and hopefully my analysis would appease his bloodlust. I raised my hand quickly, trying to help, but as Mr. Murray and I made eye contact, he smiled and said, “What do you think, Gregory?”

Gregory sat up, no longer flipping through his notebook. He looked petrified. This happened every time he got called on. I felt bad for him, but then I remembered how easy he had things. He had straight C’s because he was gigantic. He was on the football, wrestling, and water polo teams. And I meant it when I said that he was huge. At 6’4” and at least 280 pounds, teachers wanted him to be able to play so our school would win.

I didn’t have a problem with Gregory Williams—he was so my type—but the whole “he’s a jock, pass him” thing sort of pissed me off. I worked hard to do well in school and manage extracurricular activities, why shouldn’t he?

“I—I didn’t get it,” he said finally. He was embarrassed. “It was stupid.”

“It was not stupid, Mr. Williams.” Mr. Murray chastised, obviously dismayed at such a lackluster response. “It was an artistic exploration of an important theme in African-American culture, which I would love for you to tell us about. Try again, perhaps discuss some of the figurative language.”

“I—I couldn’t find any,” Greg said, his face falling. I glanced at his desk; the printout of the poem was annotated extensively. All he had to do was look at his notes! Why was he so afraid?

“We can wait,” Mr. Murray continued, pressing him further and further. “Take your time.”

Time began to move in reverse, I swear. Greg looked at the poem, scanning each line with his thick pointer finger, reading it soundlessly, though his mouth was moving. I couldn’t stand this abuse of power. Some of the other students in the room snickered. I didn’t consider this teaching. This was capital punishment. “Hey Greg,” I said, not one to normally speak in class myself. “Do you remember what an extended metaphor is? Mr. Murray went over it in that PowerPoint last week.”

Yes, Mr. Murray still used PowerPoint.

I couldn’t bring myself to look at Mr. Murray. I could tell he was upset by the exasperated sound he’d made when I spoke without permission. I just focused on Greg, in the row to the right of me, two seats up. I watched his wide back in his plain, black t-shirt. He shifted in his seat, turning to look at me. His eyes were so desperate, and it made me feel terrible. This was probably killing him.

He held his notebook in his hands, shaking slightly. “It’s ‘wh—when a comparison between two unlike things continues throughout a series of lines in a poem.’” He’d read it with minimal trouble, then looked up at me.

“Yeah,” I said. “This poem is basically one of those completely. What do you think is being compared?” He turned quickly, grabbing the printout. He turned back, looking at me again. Having his attention like this was strange. He’d hardly paid me any mind before. Him looking at me like that, with his scared brown eyes. I wanted to protect him at all costs. I wanted to make sure this never happened to him again.

I was getting ahead of myself.

“Maybe this crystal stair is being compared to life,” he started. “The mom is talking to her son, and she’s saying that life hasn’t been no crystal stair. So life is hard, I think. And Langston Hughes is using a bunch of stair words to talk about how hard life is, especially for black people.”

“Yeah, what words make you think that life can be hard?” I asked, pretty sure I should have shut up two questions ago.

“It says there are splinters and boards that are torn up and—and uh, no carpets.” I could sense he was feeling more confident now. He smiled at me gently before turning forward in his seat. He looked at Mr. Murray before speaking again. “And the mom in the poem knows life is hard, and she’s letting her son know, so he never gives up. That’s how it can relate to today. All parents know stuff their kids don’t, and they’re just trying to guide us through the hard times.”

“Quite the analysis,” Mr. Murray said, turning to the front of the room and walking towards his desk. “I’d love for you to locate another piece of figurative language Mr. Ignacio—with no assists please.” He’d finished with his torment of Greg, and class went on this way for another twenty minutes before the bell rang. Mr. Murray made sure to have droned on and on all class period. He told Greg to wait behind. I grabbed my books and went off to gym class. I was afraid I’d gotten him in trouble. He’d probably be more upset now. And what was worse was that he’d probably be upset with me for opening my mouth when I should have just minded my own business.

I rummaged through my bag. I couldn’t believe my luck. I had forgotten my gym shorts again. What a way to start the week. I was the last guy in the locker room, and Coach White would be so angry. He told me if I were too much of a pussy to participate in gym class, the least I could do to get a decent grade was change. He’d yell at me in front of all the other guys. It was going to be awful.

One would think the school board would frown upon a teacher calling a student a pussy, but Coach White had tenure and multiple state championships in football and basketball. He made our school look good, so there was no way he was going anywhere for harassing the feminine kid who opted out of participating in shooting hoops or serving volleyballs.

I couldn’t help that whenever someone tried to pass me a ball my first instinct was to cover my face. It wasn’t my fault that running and dribbling at the same time was a skill that had overlooked my entire bloodline (yeah, even my dad. That’s why he stuck to baseball). I felt awful that any activity we tried, I failed miserably at it. My track record was not pretty.

Softball—I sucked.

Badminton—I sucked.

Basketball—I sucked.

Volleyball—I sucked.

Kickball—I sucked.

Floor Hockey—I sucked.

I turned, my back against the cold metal of the lockers, and sank to the floor. I sat there for a few moments as I considered my options. I could hear the Jeopardy! music in my head, getting faster and faster as my time to find a solution dwindled.

I was screwed, that was all I had.

I’d just have to take the zero for today’s class period. I hadn’t noticed Greg changing until I stood up. I was so gay sometimes that I felt like they should create a new word for the intense levels of homosexuality I was experiencing.

He wasn’t some fitness model, but he was incredibly handsome. I liked bigger guys, and he was a big guy. He had a gut, but it was hot. I liked looking at it, and I wanted to touch it. I wanted to make it bigger. Oh God, I was such a freak.

He peeled that black t-shirt he’d been wearing over his head, standing there in just his baggy blue jeans. His back was to me, and what a back it was. He looked as wide as at least two-and-a-half of me. His dark skin looked smooth, and he had some faded circular scars that ran across his shoulder blades. I noticed he had some stretch marks on his love handles, but they were just as faded as the scars on his back. He undid his belt buckle and leaned forward slightly so he could pull those jeans down. The main attraction had been unveiled. He had a large butt that jutted out far behind him and massive thighs. His jeans must’ve been huge in order to camouflage those assets. He wore a pair of spandex underwear that all the athletes loved. The fabric was only a little darker than his skin, so for a moment it felt as though he was standing there in front of me completely naked.

He tossed his regular clothes into the locker after removing his gym clothes. He closed the locker and turned around, our eyes meeting. My first instinct was to sprint out of the locker room, out of the school. I could be out of the tri-state area by dinner. I must’ve been examining his body for a good forty seconds. I could’ve looked at him like this for at least another decade. Instead of running I looked away quickly, hoping he wouldn’t say anything.

“You’re not changing?” he asked as he pulled on the gym shorts. My shorts looked kind of normal, but they were like something out of the seventies. The uniform had been like that for as long as I could remember. Maybe they’d ordered way too many skimpy shorts fifty years ago and we were stuck wearing outdated athletic gear. Greg looked great in the shorts though, so there were no complaints from me. They came about halfway up his thickset thighs and hugged his ass perfectly.

“I forgot my shorts,” I said. He opened his locker again and tossed me a pair of his.

“Wanna borrow a pair?” he asked. As conflicted as I was on Greg’s academic success, that didn’t negate the fact that he wasn’t a jerk. He was actually a really decent person. He didn’t mess with people like some of the other douchebag athletes.

When we were working on our production of Little Shop of Horrors last spring, they buried a couple of members of our cast in soil. I was lucky to have avoided that punishment. Oh, and who could forget the time when during our production of Dracula a few of the meathead jocks pulled a Carrie and completely ruined the performance by dumping “pigs’ blood” on us during opening night. It was only melted strawberry ice cream with extra red food coloring in it, but the show still had to be cancelled. Some of those guys actually got suspended for that one, surprisingly. This was all on top of the day-to-day book checks (knocking books out of our hands, but lunch trays were a common variation) and being pushed up against lockers.

“I know they’re gonna be a little big, but you just sit in the bleachers, right?” I fought the urge to bring his shorts up close to my face and give them a big sniff. He was still looking at me, and I was not about to be the weird gay guy going around sniffing other guys’ sweaty shorts.

“Yeah,” I said. “Thank you.”

“No problem,” He pulled on a tight white t-shirt that showed off his large, burly arms and broad shoulders. “Thanks for your help in class,” he said, tying the shoelaces of his Nikes. “We should probably get to know each other a little better. Since I’m gonna be Larry or whatever in the play.”

“You’re going to be Lennie?” I asked.

“Yeah, that’s what Mr. Murray said,” he replied, sighing. He adjusted the waistband of his shorts, pulling them down slightly. “I need the extra credit he’s offering to pass his class. No football for me this year.” He left the locker room and went into the gym.

I was too nervous to bury my face in his shorts, not wanting to be caught, so I just got changed quickly and hurried into the gym. I sat in the bleachers and watched as the more athletically inclined ran back and forth playing basketball. Damn Greg was fast for such a big guy. He was aggressive too. It was kind of scary how intense he was—but then it was hot.

It was like a freaking mythical beast was going up for a rebound. He bumped kids around. He moved so heavily, like he was really solid and sturdy. His thighs looked ridiculously beefy, and the shorts rode up as he ran. They’d ridden up his ass, separating each cheek, highlighting the meatiness of his backside. I was glad his shorts were like a hundred times too big, because they were helping me cover up a pretty gigantic erection. The uniforms were definitely the one thing I liked about gym class.

All of these interactions with Greg today had me feeling aroused, but on top of that they had me developing a major crush. I hated it. Nothing good could ever come from liking a straight boy, especially one that could break my face with the flick of his finger.

I changed quickly, shoving the shorts into my bookbag. I’d wash them and return them to Greg tomorrow. At lunch, everyone was talking about Greg being in the play, and it wasn’t all good. Kyle was furious. He said he didn’t want to be in a production with such a “big, fat idiot.” I thought Kyle was a bitch, so it shouldn’t have mattered.

We went to the school’s auditorium after classes ended to run the lines and sure enough Greg showed up, although about ten minutes late. A little after that Coach White flew into the auditorium in a rage and he and Mr. Murray got into a huge argument. They walked away from us students and continued bickering.

Coach White was towering over little Mr. Murray, but he backed off when Mr. Murray started telling him off. They both moved animatedly, pointing and gesturing. They were just outside of the far doors, so we couldn’t actually hear what they were saying. We watched as Mr. Murray walked the length of the auditorium to where we all sat in a circle on the stage.

“Gregory,” he said, his voice feigning calmness. “Coach White and I have worked out a schedule for you, okay?” Greg nodded. “On Mondays and Wednesdays, you can go to football practice, and when you have games on Fridays you don’t need to be here. However, during tech week and all performance days you must be in attendance, understood?”

“Yes Coach,” he said, nervously tugging at the hem of his t-shirt. Kyle scoffed loudly and rolled his eyes. “I mean, sir—Mr. Murray.”

“We’ll see you tomorrow,” Mr. Murray said, joining us on the stage. Gregory stood, towering over all of us as we continued to sit, and gave a slight wave goodbye before making his way down the stairs.

“See you tomorrow!” I called, not entirely sure why I had opened my mouth. Everyone looked at me like I was deranged, but Greg turned and smiled at me.

“Yeah,” he called, his voice deep. “Catch you later, Holden.”

That night, I thought about Greg saying my name over and over. He said that he’d catch me later. He knew I existed, and maybe I could exist to him as more than the weird guy who was in his English class.

I was ashamed to admit it, but I smelled his shorts. I had to force myself to stop smelling them and to put them in the washing machine. They smelled so good, like sweat and laundry detergent and some sort of cologne. While they were in the washing machine, I walked to the gas station and bought a candy bar—a Twix, to be more specific. The king of chocolate candies if I were to be honest. They were my favorite.

I made my way back home and grabbed a piece of white copy paper from the printer in the home office. I sat at the desk in my room, thinking. I had to be friendly, but not too friendly. I didn’t want him to think I was weird. I was just polite, raised properly.

I wrote a simple message. It read:

Hey Greg,

Thank you for lending me a pair of your shorts. I washed them, and as a token of my appreciation, enjoy this candy bar.

I signed it with just my first name, Holden.

Before I went to bed, I made sure to put my gym uniform, his shorts, the letter, and the candy bar in my bag. I didn’t want to forget anything tomorrow. I felt off that night, kind of nervous. I was starting to feel like it was a bad idea to do something so formal for being lent a pair of shorts for fifty minutes. A normal guy would’ve just tossed them back to him, nodded their head, and kept it moving. He probably didn’t even remember lending them to me. It wasn’t a big deal to him, so it shouldn’t be a big deal to me.

I still brought everything along with me, but I was conflicted about following through with the plan. I couldn’t do it in the locker room with all the other guys around. It’d be stupid to return them after gym class. Before I knew it, we were in English class, and I was walking to his desk. We had about a minute before the bell, and it was now or never. I stood next to him, and he looked at me. “What’s up, Holden?” he greeted me.

“Hi, uh, thanks,” I replied, so inarticulately that he’d probably think I was abandoned in the woods as a child and learned to speak from the animals of the forest that raised me. I was Jackson High’s very own Nell. I placed the stack (shorts on bottom, letter in the middle, Twix on top) on his desk and returned to my own. He didn’t touch it but looked back at me as I returned to my seat. His eyebrows were furrowed in confusion, and he smiled awkwardly, as if to say, What a fucking weirdo.

He turned back to the stack and opened the letter. He read it, turned back to me, and gave me a thumbs up. I sighed with relief, signaling a thumbs up in return.

He ate the Twix during class.

The first rehearsal with Greg that afternoon went okay, but in the long run the scheduling situation proved to be much more difficult for everyone than anticipated. Greg needed more time with the whole cast to better practice his lines, so those two to three days we lost every week were definitely determinantal to our progress.

It had been two weeks of line practice, and it was a Tuesday.

“Gregory, it’s your line now,” Mr. Murray said, not looking up from his script. Kyle sighed and mumbled something about Greg being an idiot. Greg frowned and said he didn’t remember it. Mr. Murray tried to get us off script as soon as possible, but Greg was new to this world. It was incredibly hard to remember all our lines, even if we spent hours every night practicing. I bet he had a lot going on outside of this production that he was forced into. I wanted to say he should be able to use his script, but I didn’t want to appear meddlesome. Kyle groaned impolitely and said he needed a break. “Okay everyone, take ten.”

I remember on the second day, parents started bringing food. It was like this every year. Early on in the productions it was small stuff, like juice boxes and potato chips, but as things got more serious there’d be pizzas and sandwiches. I thought it was adorable how excited Greg was.

“You guys get food?” he asked me. I told him nobody ate much, so it usually got tossed out or given away to different sports teams. After that he took to eating all practice. It seemed to calm him, so I was glad there was something helping him.

When I was cheated out of a role, I took on extra responsibilities. Usually that meant that I was in charge of wardrobe. I was to take measurements and get clothes from thrift stores and costume shops using a portion of the money allotted to the drama club.

So today I was doing my second job and it was Greg’s turn and we went into the gigantic prop closet, and I started measuring him. He was wearing his freaking football sweats and they were grabbing onto his thighs and butt, and I was getting a major erection.

“You can do everything,” he said, and it didn’t come across as sarcastic in a way that some others would say it. “A poet, an actor, and a tailor.”

I laughed, flattered that he thought I was capable of tailoring clothing. “I’m no tailor,” I said from behind him. I knelt down to measure the size of his thighs, my eyes level with his ass. I looked longingly at his underwear, the sweats sagging down slightly from the weight of his cellphone and wallet in his pockets. “I only send the measurements to a costume shop or try to find pieces at the thrift store.” He was wearing these blue spandex boxer briefs and it was killing me. He was actually an inch taller than I thought, standing at 6’5”.

I measured around his stomach next, followed by his waist. I placed a little stool in front of him and stood on it. It made me nearly as tall as he was. I had to measure his neck, and I swung the tape measurer over his head. “It’s nice to see you at eye level,” he said, laughing. “Short Stuff.”

I tried my hardest to focus on the task at hand, bringing the tape measurer taught around his thick neck. He was so handsome. His skin was darker than mine. If I was the dough of a cookie, he was a chocolate chip. He had large lips and white teeth that were kind of large. I noticed he rarely smiled showing them all, but he’d recently been smiling at me in the hallways or at the end of rehearsals. It gave me butterflies thinking about how seeing me could elicit a smile from him. He had short hair and deep waves. I could see him brushing his hair and putting his durag on before bed every night. His nose was cute, kind of wide, but not so big that it took over his face.

“I’m Short Stuff?” I asked.

“Yeah,” he said. I removed the tape measurer, stepping down off of my stool. He crouched down, spreading his legs and bending his knees. “How’s the weather down here?”

“Very funny, Gregory.”

“Ooo, using the whole name,” he said, standing up straight. “I’m in trouble. Why not throw in the ‘Deshawn Williams’ for the full effect?”

“I’ll remember that for the next time.”

“I wouldn’t want that,” he said. “I never wanna make you mad at me. I like you too much.” He smiled, and then I smiled. It was nice but filled with so much one-sided lust that it was almost sad. Kyle entered the prop closest, attitude set to eleven.

“How long does it take to measure one person Holden?” He took in Greg and stifled a laugh. “Oh, never mind. I imagine it can take quite a while, actually.” Greg tugged at the hem of his shirt, his face falling.

“I’ll talk to you later, Short Stuff,” he said. “Thanks for the measurements.” He went back over to the parent-supplied snack table. I saw him grab a Ho Ho and open it embarrassedly, shoving it into his mouth.

He could have picked Kyle up and snapped him in half, Bane-style. I wouldn’t have said anything, and when authorities asked what happened, I’d say, with tears in my eyes, “He slipped, Officer. What a freak accident, truly.”

“This is going to be a disaster,” Kyle said. I had the measuring tape around his neck now, trying to get through these measurements as quickly as possible. “I wouldn’t have wanted the lead if I knew I’d be working with such an absolute idiot.” I considered choking him.

I was moving as fast as I could, but he continued to bad mouth Greg. It was really upsetting me. I didn’t know if it was because Greg wasn’t around to defend himself, or because I had such a major crush on him, but Kyle was pushing me to my limit. He had totally killed any signs of an erection, which I guess was good because I wouldn’t want people knowing I was some pervert getting erections while taking measurements.

“Eva is devastated. Her first time as student director and this is what she has to deal with.”

“Kyle, you aren’t as talented as you think you are, so you need to shut the fuck up.” He laughed casually and walked towards the door. I wasn’t even finished taking his measurements. He always had to do the most.

“Who got the lead?” he asked rhetorically. He left the room, walking towards where Eva and Mr. Murray were helping the stage designers with a backdrop. I felt my face go hot and sat down. This was not how I imagined this year to be. I knew it would never be perfect; I didn’t set unrealistic expectations, not wanting to be let down, but I never thought things could suck this much. I had my eighteenth birthday a week before the school year started and I had spent a portion of my summer in theater camp in New York City. This was supposed to be my year.

“‘Who got the lead?’” I mimicked in my best Kyle-voice. I pulled the tape measurer as taut as I could, struggling for a moment before giving up the effort. My mom would say not to let someone like Kyle get under my skin, and she’d be entirely correct, but I wasn’t as patient as my mother. I wanted to take action and kick him in the throat.

We started rehearsing lines again after I finished measuring the last cast member. Obviously, I was sick and tired of Kyle, who continued to harass Greg. I knew this was going to sound totally lame and cliché, but the Troupe was like a family, so when he bad-mouthed Greg, it was like he was harassing his own family.

“Uh, George—I did—didn’t me—mean nothing by it, honest.”

“Oh my God!” Kyle howled. “Learn your fucking lines and stop stuttering.” I noticed Greg close his eyes—his head bowed, his fists clenched. Would this be the moment I’d been waiting for my entire life? Would one blow from the mighty Gregory Deshawn Williams finally be what vanquished the foul Kyle ‘Bitch Boy’ Donnelly? To add insult to injury, Kyle kept going. With enough weight I thought I could see the words travel across the circle, Kyle said, “All you’re good at is eating. Do you even know how to read? You fat fuck.”

This felt more intense than ever. I could feel Greg’s energy from across the circle. He stood up, and everyone’s eyes followed him. He didn’t walk towards Kyle. He left the stage and then exited the auditorium. Kyle was too bad of an actor to be such a goddamn diva.

Mr. Murray was saying something to Kyle that likely wouldn’t stop his bullying. Everyone else on stage began to murmur amongst themselves. Wasn’t anyone going to see if Greg was okay? Mr. Murray and Eva were in charge of this production, so they should have been doing everything to make sure every actor was being treated fairly. Nobody was moving. Didn’t anyone care if he was okay? I couldn’t take it. I’d check on him and try to get him to come back. I jogged out to the parking lot, looking for Greg. He wasn’t very hard to find.

I saw him over by his truck and went up to him. It was an old Ford F-150. It was green, and it really suited Greg. “Hey, Greg,” I started, tapping him on the shoulder.

“Leave me alone,” he barked.

I hated to see him like this. He never did anything to anybody. He was one of the gentlest, nicest guys I’d ever met. “Greg, it’ll be okay,” I said, grabbing at his arm, trying to get him to open up to me.

“I said go the fuck away,” he roared, his voice deep and surprisingly angry, vibrating in my chest. He brought the weight of his large arm down into my face. It wasn’t even his elbow, but his upper arm. It was solid, very solid, and I’d hoped to feel it, but not in this way. I fell back onto the gravel. I noticed red droplets on my shirt before I felt the fountain that was my nose overflowing.

I was bleeding, but thankfully it didn’t hurt that badly. I thought he liked me. I thought we were friends. He turned around and I noticed he was crying. He was crying. “I—I’m so sorry,” he said as he wiped his eyes on his forearm. “I didn’t mean to. I’m sorry. Holden, are you okay? I’m sorry.” I stood up, holding my nose, trying to stop the bleeding.

“It—it’s fine.” He walked towards me, and I instinctually took a step back. I didn’t want to hurt his feelings. I knew he didn’t mean to hit me, but I couldn’t help myself. I didn’t know what else to do, so I smiled, trying to let him know I was okay.

“Oh God,” he said, reaching for me again. I suddenly realized that had been a terrible idea. The blood spilled over my top lip, covering my teeth. It probably made me look like I was in a worse condition than I actually was.

“I think I’ll just go back inside.” I ran back towards the building, blood dripping onto my shirt. He started kicking his truck angrily.

I’d gone straight to the bathroom to clean myself up, and when I arrived back in the auditorium everyone was still waiting for Greg to return. He didn’t come back inside, so after thirty minutes Mr. Murray dismissed us for the day.

I still couldn’t believe he’d hit me in the face with his freaking Hulk-strength and I was alive to remember it. If he could do this to me without even trying, I could only imagine the damage he could do on purpose.

I didn’t know if we were avoiding one another or not, but I didn’t talk to Greg again the next day until lunch. The incident hadn’t left me with any swelling or bruising, so that was something to be positive about. I sat at a small table near the trash cans. I was sitting alone because I needed some solitude. Kyle was talking about how stupid Greg was and it pissed me off. I just couldn’t take it anymore, and my retaliations never seemed to faze him. Nobody else ever tried to call him out either, which only added to my aggravation.

I swirled a spoon around in my cup of yogurt and granola disinterestedly. I hadn’t started on my turkey sandwich or potato chips yet, and I wasn’t feeling very hungry. “I’m sorry again,” Greg said, looking down at me. I hadn’t noticed him come up, which really showed how out of it I was. He was damn near impossible to miss. He looked at me so seriously. It was making me uncomfortable. “I didn’t try to—to hit you in the face like that. I don’t like hitting people. I don’t want you to think I’m that kind of person.”

“I’m fine,” I said. “Apology accepted. And I definitely don’t think poorly of you.” He smiled uneasily.

“Can I sit with you?” he asked. I looked at him. He was so freaking handsome. His eyebrows were thick and had a natural arch to them that made him appear somewhat angry. He had that look from shaving, like someone who had to shave on the regular. Not like me, I only had to shave once every two weeks. I’d heard he was a year older than everyone, but I didn’t know for sure. I went to a different middle school, so I didn’t know much about Greg before high school.

“Yes, of course,” I replied. He smiled again, this time more comfortably, and sat down. He had one of those lunch bags that could be carried around every day. His was bigger than they usually were, and it was green. Maybe green was his favorite color. He had a bunch of food in there—three sandwiches, a couple bags of chips, a water, a juice, cookies, two bananas, and an apple. “You feeling better than you did yesterday?” I asked.

“I feel lame as fuck,” he said. “You probably think there’s something wrong with me.”

“A big guy like you crying is definitely out of the ordinary.”

“You probably think I’m a pussy,” he said, shifting his gaze from me. He looked down at his massive spread, grabbing one of his sandwiches.

“Absolutely not,” I said. “I cry much more often than I’d like to admit.”

“Really?” he asked, looking up at me sheepishly.

“Yes, really.” I started stirring my yogurt again, nervous at the thought of talking about these things with him. I wanted him to like me, not pity me. Hell, he might even think I deserved the things that made me sob. “I’ll share three things.”

“Okay,” he said, smiling timidly.

“One, The Princess and the Frog.”

“The Disney movie?”

“We got a black princess, and she was so hard working.” I could feel myself tearing up, only at the thought of the film. “She achieved her dreams. I want that.”

“Aww,” he said, laughing. “We’ve got to watch that together sometime. Just so I can see the waterworks.”

“Never.”

He laughed again, harder this time. He took another large bite of his sandwich, speaking with his mouth slightly full, he said, “What else?”

“Two, just three weeks ago when the cast list was posted for the play. I had to lock myself in a bathroom stall so I could cry. I was so disappointed.”

“You didn’t get the part you wanted?” he asked, frowning.

“I auditioned for George,” I said, finally eating a spoonful of my yogurt. “But you know how that turned out.”

“Sorry Holden.”

“It’s fine, honestly. I’ve accepted it.” We sat in silence for a little while after that. He powered through his lunch, and I watched him, impressed. Sexuality was such a fucked-up thing. What had occurred in my life that made me this way? He was eating his potato chips and it felt like things were moving in slow motion. He chewed, putting more chips in his mouth at one time than anyone I knew would. The oil from the chips left a glossy sheen on his full lips and I wanted to kiss them, to taste their saltiness.

“You never told me the third thing,” he said finally. I jumped slightly, like a total dork. I had to stop staring at him.

“Oh, well, uh—last year, in October, we were getting things ready for the fall play. I—I was one of the last people still here, and when I finally left it was just me and one other girl. We waited for her mom to pick her up and after she’d gone, I went to the parking lot. My mom had let me drive her car to school that day, so I was feeling pretty good.” He was looking at me so intensely. I was regretting choosing something so serious for this, but I wanted him to know I wasn’t messing around about crying being okay. “I guess football practice got out later than usual, but a couple of those guys were in the parking lot.” His jaw tensed, and he stopped eating his lunch. All he had left were the bananas. “Long story short,” I said, trying to get through this as quickly as possible. “They pushed me around a bit, calling me names and stuff. I cried on the entire drive home.”

“Who was it?” he asked angrily. My intention wasn’t to get him riled up. I didn’t think he’d even care this much to be honest. It was a couple of guys who graduated and one or two of the guys still on the team, but I wasn’t going to get Greg involved in something that didn’t matter anymore. Did I still think about them calling me a faggot over and over? Yes, absolutely, but I had been a convenient target. Normally they left me alone because I faded into the background, but that day I’d been the only drama-geek in the line of fire.

“Yeah, no,” I said. “This isn’t what this conversation is about. We were just being open about our feelings. I’m not looking for retribution.” He angrily peeled open one of his bananas. He didn’t get this upset over Kyle taunting him, so this reaction was entirely unexpected. “So, what about you? Was it what Kyle said that made you feel so upset yesterday?”

He looked at me and I realized I had been much more direct than I’d intended to be. He finished his first banana, sitting up straight. His belly looked satiated, but I bet he could’ve eaten way more. “I don’t like when people call me stupid,” he said. “I know I’m not smart, but I hate when people call me stupid.”

“You’re definitely not stupid,” I said.

“Sometimes I think I am,” he said. “I don’t try to stutter either, but when I’m nervous it just happens. I didn’t even want to do this, but I need the extra credit. I study so hard, but I still barely pass.” He studied? I felt guilt in the pit of my stomach. I had made unfair assumptions about him. I just thought teachers passed him. I had no idea he actually took his education seriously. “You’re really smart Holden. I wish I was smart like you.”

“You just need help,” I said. “Sometimes I get overwhelmed by my classes too.” He ate his second banana in three bites. I was so hard that it was distracting. I was confused. We’d covered so much ground in one lunch period. I’d experienced such an array of emotions that I was sure we’d be bonded together forever.

“I’m—I’m a year older than everyone,” he whispered, looking down. “It’s because I’m dumb. Who has to repeat the sixth grade?”

“No,” I said gently, wanting to come across as sincere. “I don’t think you should feel that way at all. You just have to keep doing your best and trying to improve. School can be really hard and you’re still hanging in there! Besides, I’m glad that means we get to be in the same grade—.” I had started rambling. I was officially embarrassed. I’m glad that means we get to be in the same grade? I’d actually said that to him.

“I’m glad we’re in the same grade too,” he said, looking at me kindly. He wasn’t smiling at me with his mouth, but with his eyes. Tyra Banks would be proud. Things were silent for a minute or two after that before he spoke again. “Man, I hate Kyle,” he said.

“Ugh, me too,” I said, sounding too much like Cher Horowitz in Clueless for my liking, but it had already been said. “He is a total bitch.” Greg looked over at me and laughed.

“Yeah, he’s a total bitch.” I could feel my face get hot. I’d been more honest with him than with a lot of my friends in the Troupe. He wasn’t making fun of me, thankfully, but I tended to say a lot of stuff I didn’t mean to actually say. That was why I preferred not talking. That was why I preferred acting, because I had pre-written lines. I got to play a role, and I didn’t have to be myself, because when I was myself, I felt like a freak.

Lunch was almost over, and I’d forgotten to give him something from my bag. I leaned over, grabbing my bookbag and setting it on the seat next to me. I opened the front pocket and pulled out a king-sized package of Twix bars. “I meant to give these to you,” I said, sliding the candy towards him. “Chocolate always makes me feel better.” He laughed, and it was low and deep. I felt like I’d made some sort of faux pas. “I guess it was kind of silly.”

“No,” he said, smiling at me kindly. “I fucking punch you in the nose and you bring me chocolate. You’re not like a regular guy. I’m glad I’ve got a friend like you, Holden.” He opened the package and handed me one. We sat together, me eating one of the Twix bars, he the other three, until the bell rang.

After that, he started eating lunch with me every day. I was ecstatic about this development in our relationship. It was nice spending more intimate time with him, and less time at the Troupe’s lunch table with Kyle the Unbearable.

I was enjoying gym class even more too, and Coach White’s attitude didn’t detract from it one bit. Greg seemed to be filling out his shorts even more, and I knew it had to be from the snack table at rehearsals and the fact he practiced two times less a week.

We had been playing floor hockey recently. Watching our classmates jump out of Greg’s way or bounce off of his solid body was the highlight of my day. He didn’t try to knock people over, but I mean, if they were running full speed into a brick wall, they couldn’t expect to stay standing.

“It’s getting hard to manage everything,” he confided in me one day during our lunch sessions. “It takes me so long to practice the lines at home, I don’t finish my homework until almost one in the morning.”

“You do have a lot going on,” I said, wanting to help him in any way that I could. “Do you want to run lines together? And we could study too if you want?”

“Do you have the time to help me?” he asked, smiling shyly. “I don’t want you to get stressed out because you have to help my dumb ass.”

“I’ll help you,” I said. “But under one condition.”

“Yeah?”

“You aren’t allowed to talk bad about yourself. You aren’t dumb Greg, so I don’t want to hear you say that you are. Didn’t you tell me you hated when people call you stupid, so why is it you can do it to yourself?”

“I—I don’t know. I guess I just feel like maybe I am. I’m sorry.”

“So, we’ve got a deal?” I asked.

“Yes,” he said. “Coach Sanders.” We both laughed at that and continued eating our lunches.

The next day I waited for him to get out of practice. He said we could study at his place and that he’d give me a ride home after. The thought of being in his bedroom was enough to have my stomach in knots the entire day. He came and found me in the auditorium after he was finished, and we walked out to his truck.

“How were rehearsals today?” he asked.

“They were fine. Kyle was just as obnoxious as usual.”

“I’m glad I didn’t have to deal with that today.” Walking next to him sure was something. I knew I wasn’t the tallest guy, but he made me feel microscopic. He was wearing a pair of sweatpants and a hoodie. He had a duffel bag and his regular bookbag. “Thanks again for coming to help me out.”

“I’m happy to,” I said. “It’s good practice for me too.”

“But don’t you only have like fifteen lines?” he asked. I knew he was genuinely asking and not trying to be mean.

“Throwing shade,” I said jokingly. “You’ve been around Kyle too much.”

“I—I’m sorry,” he said, stopping in his tracks. “I just meant—it must not be—I wasn’t trying to be a dick.”

“I was just messing around,” I said, in disbelief of how cute he was. “I got my lines down in the first week. And it’s even sadder than just having fifteen lines. I have twelve.”

“I wish we could trade.”

“Don’t say that. You’re going to kill it.” We started walking towards his truck again. It was almost six o’clock. I told my parents I probably wouldn’t be back until around ten. “With my help you might even be nominated for a Tony.”

“What’s a Tony?”

We had a lot to go over during the car ride to his house.

The conversation in Greg’s truck didn’t make me feel awkward or nervous and it never felt like he was judging me or what I had to say. I was so at ease around Greg. When we pulled up outside of his place, I was kind of sad. I could’ve ridden around in his truck talking to him all night.

Greg’s house wasn’t the largest; it was built in the bungalow style. The whole thing was one floor. His room was towards the rear of the house, through the living room and kitchen. Ms. Williams was busy in the kitchen when we arrived, unpacking loads of grocery bags. She was about 5’1” and large. She had the Mary J. Blige cut circa 2009 and wore navy blue scrubs.

“Greg,” she said, looking at me excitedly. “Is this your friend Holden?”

“It’s nice to meet you Ms. Williams,” I said. “My name is Holden Sanders. Thanks for having me.”

“Greg, he’s so polite! And handsome too!” I laughed. I was really flattered. I thanked her for the compliment. “He mentioned you’d be coming over tonight. Are you staying for dinner?” she asked.

“Only if you wanna stay,” Greg added. He was so fucking cute. If I got to be around him, of course I’d stay for dinner. “It’s nacho night.”

“Sounds great,” I said, smiling. Ms. Williams then complimented my smile. She was gassing me up. I needed a hype-woman like her in my life.

We went to Greg’s room after that, and he asked if I’d be okay while he went to take a quick shower. “Yeah, I’ll be fine,” I said.

He pulled off his sweatshirt and tossed it in a pile near the opening of his closet. I held my breath in anticipation of how much he’d take off in front of me. I should have looked the other way, but I didn’t want to waste this opportunity. He kicked off his sneakers and pulled off his socks, adding them to the pile before slipping on a pair of Nike slides.

He grabbed some items from his dresser and walked over towards his door. He turned back towards me, and I took him in again. He filled the door frame with how broad he was. Greg was at home and still seemed too big to be entirely comfortable. I wondered what showering was like for him. I hoped they had a detachable shower head so he wouldn’t have to struggle rinsing himself off. What I wouldn’t give to be in that shower with him.

“I’ll be back,” he said, walking away.

No longer entranced by Greg’s gorgeousness, I was able to take in his bedroom. There wasn’t much in terms of interior design, but he had his huge bed, a desk setup, a TV with a gaming system, and lots of different sneakers in their original boxes. He was such a guy.

A few minutes went by before there was a knock at Greg’s door.

“Um, come in!” I called. Ms. Williams entered.

“Do you need anything?” she asked. “Dinner won’t be ready until around seven-thirty.”

“I’m all good,” I replied. “Thank you for being so nice.”

“Oh, of course baby!” she said cheerily. “I am just so excited to meet one of Greg’s friends from school. I was worried he didn’t have any. He never brings anyone by to hang out.”

“I’m sure he has lots of friends on the team,” I offered.

“Maybe,” she said. “But he’s always been such a sensitive boy. I don’t think those boys really understand that.” She came further into the room. She seemed like she really had something to share with me, like this was confession in church, and I was the priest. “He was born premature, and I was terrified I was going to lose him. His dad was never the best and even when Greg was in the NICU fighting for his life, he rarely visited.”

“That’s awful,” I said, knowing my emotions were showing on my face. I could feel a huge frown fixed on my mouth.

“He never understood Greg. He was a terrible man.” She came closer, sitting on the bed next to me. I’d barely said two words to the parents of my other friends in the Troupe and I’d known most of them for over three years. Now here I was with Greg’s mom having a whole therapy session.

“Greg must not like him very much.”

“He was very hard on him.” She paused, like there was more to be said, but not like it could be shared at this moment. “I don’t think he could like his dad after how he was treated by him.”

We sat together in the silence before she chuckled under her breath. She looked over at me, smiling wide. She and Greg had the same megawatt smile.

“When Greg was a little boy, he loved Clifford the Big Red Dog. The boy was obsessed! He had all the books and the pajamas and the bedspreads. I think because he loved it so much, it’s the reason he grew as big as he is now. He was copying that damn dog!” She laughed loudly, playfully patting me on the shoulder. I laughed too, thinking about Greg not being absolutely gigantic.

“I don’t think Greg would ever tell me any of this,” I said, still laughing.

“Oh, he’s going to be a little Mr. Grumpypants when he finds out I’ve been in here talking to you.” She sighed. “I’m just so happy he’s becoming close to someone. His dad really instilled some negative things in him about his self-image. We got divorced when Greg was starting middle school.”

“He hasn’t really told me about it,” I said. “Maybe one day he will.”

“I think he might,” she said. “You’re all he ever talks about. ‘Holden is so smart, mom. Holden said I need to watch Dreamgirls. Do you think Holden would want to come play video games? Holden this and Holden that.’ It warms my heart, honestly.”

“I didn’t know he thought of me as such a good friend.” I smiled at her. “I’m glad though. Greg’s really cool.”

That’s when Greg came back to his room, stopping in the doorway when he saw his mom on the bed next to me. He groaned loudly. I could tell he was embarrassed. “Mom, please leave him alone. He’s gonna think there’s something wrong with me.”

“If your friends can’t talk to your mom, they shouldn’t be your friends.” She stood up from the bed and walked towards the door. “I’m going to go finish slaving over your dinner. Bye Holden-sweetheart.”

After she left it was just Greg and I in his bedroom. He didn’t say much for a while, and I think he was actually really embarrassed by his mom having been talking to me. He was wearing another pair of sweats now; they were black Adidas sweats with the white stripes up the side. They weren’t as baggy either, so I was able to see a better outline of his legs and butt. He also wore a simple gray t-shirt.

“Your mom is so nice,” I said, trying to alleviate some of the awkward tension.

“She told you the Clifford story, didn’t she?” he asked, certain his mom had gone into detail about his love of the big red dog.

“I’m not going to lie to you,” I said, feigning seriousness. “I know about the Clifford story. I would like to confess my obsession with Cyberchase.”

He laughed. I laughed. We laughed together and things began to feel less uncomfortable.

We got started running lines after that. We stood in the middle of his bedroom, both holding copies of the script. I didn’t need a copy. I’d committed the entire thing to memory, but it was important I was able to help Greg if he made a mistake. He played his one role, and I played all the other characters. He thought it was funny that I had different voices for everyone. His favorite would have to be when I did Curley’s Wife. He relaxed a lot when I did that one. He also thought it was amazing I had memorized everyone’s lines along with mine. I had a crazy good memory when it came to scripts, but a month after the show I wouldn’t even remember half of these lines. Hell, maybe it should have been a two man show.

He was fantastic when he was at ease. He had great comedic timing and he knew exactly when to play up the serious scenes. We’d gotten through a majority of the script when his mom called us for dinner.

We ate and talked. After dinner we worked on homework and did a bit of studying. He took me home before it got too late. That had been one of the best nights I’d had in a long time.

We kept up our mini rehearsals every other day for about a month and everyone was amazed at how well he was doing when we got together after school. I was proud of him, and it made me feel good to know I was the reason he was improving. It felt good to know that he was my friend, even if I was still incredibly attracted to him.

The play was a week away, meaning we’d entered tech week, so Greg was officially done with football until after Thanksgiving. At that point they’d be in the playoffs.

I’d bought everyone costumes and I liked to think that I did a fantastic job. Everyone tried on their stuff last month when I first bought the clothes. Nobody had gotten any bigger or taller, so I was sure everything would fit.

Well, almost nobody had gotten bigger.

“Holden,” I heard Greg call. I walked over to the door his head was peering out of. It was the small bathroom behind the stage. He stepped back to allow me to enter and closed the door. “My costume, uh, it—it doesn’t fit anymore,” he said. He was right. It didn’t fit. The hooks of the overalls wouldn’t even meet the front part. His belly was too big. His thighs filled out the overalls completely. They were the biggest thighs I had ever seen and all I could think about was my head in between them with his dick in my mouth. “I ripped out the back too.” He turned around and I saw a very large rip down his meaty backside.

“Well, I could—.” I was thinking. I had no idea what I could do, not in this very moment at least. “Just wear your regular clothes and tell him you can’t find your costume. Take it off and give it here,” I said. He pulled off the denim fabric and I almost passed out from how quickly my penis stiffened.

Those big beefy legs—oh God. I couldn’t help but imagine them bucking behind me. He unbuttoned his plaid shirt as well. He was standing in front of me wearing nothing but his underwear. He pulled on his jeans and put on his sweatshirt.

“Thanks for not laughing,” he said as he walked by me to leave the bathroom. I was so enamored that I hadn’t covered my crotch. I prayed he didn’t feel my erection as he walked by me. If he did, he didn’t say anything.

I measured him again later and when I went to hunt down some more overalls, I went up a size larger than I thought we’d need. They were huge, but hell, I thought the last pair of overalls were enormous. I saw him the next day and told him that I had bought him a new outfit and he thanked me again.

It made sense why he needed a new costume. I was pretty sure Greg was a nervous eater. But then again, I noticed he also ate a lot when we rehearsed at his house, and he didn’t seem nervous at all then. Maybe he just ate a lot, and he didn’t need a reason besides liking food. I liked that he liked food. It just made him all the more attractive to me.

The football team did not like Greg missing two weeks of games. They’d gone into overdrive in regard to fucking with us drama-geeks. I noticed they didn’t really mess with me though. I think it was because I was always around Greg now. I heard a rumor that they planned on convincing everyone not to come and see the play. I hoped that wasn’t true.

So things kept moving forward. Sets were built, costumes were finalized, mics were assigned, and blocking was underway. The play was in three days, and we stayed and ran through the entire thing twice every day.

I could tell the fact that things became more fast-paced had started to get to Greg. I knew he liked to eat, and it was really cute how much he enjoyed all the cast food, but every spare moment he was munching on something. He’d even ended up on stage with food in his mouth a few times. The new overalls were holding up okay though. I wanted to ask him how much he weighed. I really wanted to know.

“Hey, how much do you have to weigh for wrestling?” I asked one day at lunch. I figured he was going to wrestle once the play was over. I saw it once and it looked hard, but he looked amazing in the singlet. It was like the gym uniform, only better.

“I don’t think I’m gonna wrestle this year,” he said, sounding really self-conscious. “I barely qualified for the highest weight class last year—and that’s 285 pounds.” He placed his large hand on his even larger belly as he munched on some potato chips. “I’ve gained a lot of weight recently.” Oh, and I’d noticed. “I’m probably up 60 pounds from last winter.”

When he said that, I—of course—got an erection. I was a freaking sex fiend or something. I needed to calm down.

“Cool,” I said. Cool? What was so cool about it? I didn’t want to say anything stupid, and I ended up saying the absolute dumbest thing in the world. He just laughed and kept eating.

“I’m way more invested in football,” he said, still eating. “I’ve got college scouts coming to see me play in the playoffs. I just wish I’d been practicing more with the team.”

“I’m sorry Greg,” I said. Mr. Murray and his determination to get us a Lennie could have fucked with Greg’s collegiate dreams. Football was his future, not acting. It was way more important than Of Mice and Men.

“I’m not,” he said seriously. We were alone at our table. I’d grown accustomed to us living within our own bubble. Just me and him. “Don’t get me wrong, I don’t think I’ll be doing another play, but I’m getting B’s in all my classes and I’m getting to spend time with you. You’ve helped me do stuff I never thought possible. It makes me think that maybe college won’t be so bad. I figured the only way I’d make it through was because I was gonna be playing ball, but maybe—maybe I’m smart enough too.”

“It sucks to think we just got to know each other this year,” I said. “You’re one incredible person Gregory Deshawn Williams.”

“I thought it’d be scary having you say my full name, but I like it when you say it.” He looked down at the food he had left, selecting his next delectable morsel. “It’s cute.”

I just laughed. I didn’t know what else to do. His mom had said he was sensitive, not gay. Greg was probably just a guy that didn’t embrace toxic masculinity. Him saying that I was cute didn’t mean what I wanted it to mean. I didn’t want to harm this friendship. I’d rather have Greg as a friend than not at all.

Opening night caused the most anxiety ever, for anyone. I put on my jeans, flannel shirt, cowboy hat, and cowboy boots backstage before putting on a light layer of stage makeup. I did Greg’s face too, but his was even lighter. He was sweating so much I didn’t want his face to look runny.

“Calm down,” I said. “Your energy can throw off the entire show.” His eyes widened and I knew I’d chosen the wrong way to phrase that. Theater people were a little blunter than I think he could handle. “Greg, you’re going to do great. Just imagine it’s me and you up there.” He stopped fidgeting after that, taking a deep breath.

“I’m so nervous I haven’t eaten since lunchtime,” he said. That was all I needed to hear. If Greg had skipped dinner, he must have been terrified of going up there.

“We’ll eat a whole bunch after the show,” I promised.

“My mom’s here,” he said. “She said that she was glad I was doing something more intellectually stimulating.” He sighed. “She probably thinks I’m stupid too.”

“She doesn’t,” I said, quickly defending Ms. Williams, my number one fan. “You’re not stupid. You’ve never been stupid. And you know your mom would kill you if she heard you talking like this.” I knew he needed more support. This was his very first show ever! I wrapped my arms around him, hugging him tightly. I could feel his warm hand on my back as he hugged me in return. We stopped embracing one another and he smiled at me. He could do this. I knew he could. The opening music started, and Kyle took his place next to Greg, rudely bumping me out of the way in the process. “Break a leg,” I whispered as he walked on stage.

The show moved along, and I went out four times to deliver lines. I was only in two scenes with Greg, but I made sure to give him a discrete thumbs up. He nodded slightly and smiled. He did really well. I was definitely a Greg stan, but he killed it out there on stage! He remembered all of his lines, he made all of his position marks, and got a ton of laughs. I was so happy. Kyle flubbed twice, and I reveled in his mediocrity.

Afterwards, Greg and I found Ms. Williams. She told me I did a fantastic job and that I was very handsome on stage. I noticed she nudged Greg in the side slightly when she said that I was handsome. “You are going to be the next Michael B. Jordan,” she said. “When you’re famous don’t forget about me!”

She turned to Greg, tears in her eyes, and hugged him. She was so proud of him, and it showed. It was making me feel all warm and fuzzy inside. He’d worked so hard, and it was paying off. “You liked the show?” he asked.

“I loved the show,” she said. “I loved seeing you up there.”

My mom and dad and brothers were here too. They made their way over to where I stood with Greg and his mother. My family met Ms. Williams and they chatted for what felt like hours. While our parents talked, the twins joked around with Greg about how big he was. My brothers, Charlie and Sammie, were ten.

“You could be in WWE,” Charlie said.

“It’d be so cool,” Sammie added. “You could probably lift both of us at the same time!”

“Yeah!” Charlie added enthusiastically. “Holden never plays WWE with us.”

“Well, if I was on a team with Greg I’d play,” I said. “You guys kick my butt when it’s two-on-one.” That started an argument between them. They both wanted to partner up with Greg and they were debating who’d be stuck with me. Greg just laughed and laughed. I was worried he’d be annoyed by my kid brothers, but he was handling them really well.

Standing in a cluster, Greg towered over all of us. My mom was 5’2” and my dad was the same height as me. The twins were still growing, but I doubted they’d grow much taller than me or my dad. And Ms. Williams was tiny as well. He was truly a giant amongst men.

Everyone talked a little while longer, but the auditorium began to clear out aside from Mr. Murray and the rest of the cast and crew. We cleaned off all the makeup and changed clothes. We gathered in a circle for post-show notes. It was just observations that Mr. Murray and Eva noted during the performance that could be improved upon in the next show. Greg was the only one who didn’t have something to improve on. It killed Kyle, who’d been reprimanded over his missed lines and incorrect positioning on the stage.

Unfortunately, the cast party was going to be at Kyle’s house. I wanted to go because opening night deserved to be celebrated, but I was likely just going to head home. I was sure the Troupe would be upset if I didn’t go, but Kyle’s attitude was going to be a lot to deal with. I was the only one who ever called him out and that meant I was the one he was going to take his aggression out on.

“Are we going to the cast party?” Greg asked once we made our way to the parking lot. He’d told my parents he’d give me a ride home. I wondered if he actually wanted to go or if he was suggesting we go because he thought it was what I wanted.

“Yeah, sure,” I said. “Only if you don’t mind going. We don’t have to stay long.” It was about nine forty-five and really nice for November. I sat in the passenger’s seat, and we drove to Kyle’s house. It was an older house and really big. It looked kind of haunted.

We saw Jane, who played Curley’s Wife, and we all went inside together. There were thirty people involved with the production and they were all here. Greg and I talked about the performance, sitting at a table alone just like at lunchtime. A bunch of the Troupe were drinking and smoking and making out. Drama-geeks were just as debaucherous as all other high school cliques.

He said that he was so nervous at first, he thought he was going to throw up. “You can just feel the audience when you’re up there,” he said. “It’s almost like we’re animals in a zoo.” I laughed.

He was munching on those little sandwiches they have at parties. He must’ve eaten half of one of those huge trays by himself. “Hey, quit eating all the goddamn food,” Kyle said, walking over to where we sat away from everyone. He’d been so loud that nearly all the partygoers looked over at us now. My face was so hot it felt like someone had a spotlight on me. “I mean, I doubt you had to gain any weight for this role, idiot.” Greg stopped eating.

“And you, I bet you loved when I messed up, didn’t you?” Oh my God. I was so mad. He wanted to start some shit? It was one thing to fuck with me, but to constantly belittle Greg? I had been waiting to go off completely on Kyle for weeks.

“I did,” I said honestly. “I told you that you couldn’t act.”

“You’re fucking Whit, Holden. You aren’t Broadway material.”

“Neither are you!” I could feel my voice becoming shrill, but I had adrenaline pumping through my system and I wasn’t going to stop. “You spent months talking mad shit about Greg and he stole the whole fucking show. You should be thanking him for making you look halfway decent.”

He glared at me for a moment before slapping a cup full of soda into my lap. What a bitch move.

“How’s that feel? Figured you could use a drink from how thirsty you are for Lennie.” I was mortified. He didn’t have to say that. I couldn’t even bring myself to look in Greg’s direction.

“You’re a real bitch, you know that right?” I asked rhetorically, standing. He shoved me hard and I stumbled back into my chair, banging my head against the wall of his basement.

Greg stood up and grabbed Kyle by the collar of his shirt. I could see he wanted to knock Kyle’s teeth to the back of his throat, but he was able to restrain himself. He shook Kyle violently. “Say you’re sorry,” Greg boomed.

“No way,” Kyle said, being very bold for someone who could potentially meet Jesus in the next thirty seconds.

“I wasn’t asking you,” Greg barked, pushing Kyle so hard he fell on his ass. “You either apologize to Holden or I’ll bash your fucking face in.” I was living! I wanted nothing more than for Kyle to reap what he had sewn for weeks. I looked over at Greg and I could tell he was having a hard time; he didn’t want to do this, be the type of guy to hurt someone else. That really put a damper on how Kyle was getting his just desserts. Greg was breathing really heavily, and I knew that if he started in on Kyle nobody would be able to stop him.

“Fuck him,” I said, standing again. “I don’t need his apology. Let’s just get out of here.”

Greg looked over at me, still breathing heavily. He didn’t say anything, but I could tell he was starting to soften again. After a few more seconds, he just walked away. He left the house and I followed. Even his exit was totally badass.

I caught up to Greg as he left the house. He wasn’t nearly as angry as he’d been a few seconds ago, but I could still feel rage radiating off of him. I appreciated him standing up for me even though he preferred avoiding confrontations.

I wished my jeans weren’t so tight. They weren’t skinny jeans per se, but they weren’t as loose as some guys liked. The wet spot on my crotch had soaked through into my underwear. I hated how it felt, all damp and sticky. I wanted to go home so I could change, but I didn’t want that to mean we’d be done seeing one another for the evening. We walked to his truck and got in. He was still really upset so he hadn’t said anything.

“I’ll take you home,” he said finally, sitting back in his seat, a scowl on his face and his hands in fists. It made me feel like he was upset with me. Maybe he didn’t like that I’d put him in that situation. I shouldn’t have antagonized Kyle. I should have followed Greg’s example and ignored trivial bullshit.

“I’m really sorry about what happened in there,” I said, hating the idea that my pettiness could have completely ruined the vibe we’d built up. “I shouldn’t have said those things to Kyle. I shouldn’t have gotten you involved in that drama. I’m not usually a messy person.”

“You’re always standing up for me and treating me like I have something to offer besides playing football.” His voice was deep and clear. He looked over at me, his eyes watery. “I’m not as strong as I look. Kyle talking to me like that just makes me think of my dad. I’m just—I’m so angry Holden and I don’t like it. I don’t want to be like that.”

“You could’ve hurt him, but you didn’t. I’d be lying if I said that in that moment I didn’t want you to let him have it, but you have real strength Greg. You are constantly surprising me with how kind you are. I admire you a lot.”

“Thank you,” he said, wiping his eyes on the sleeve of his sweatshirt.

“If you take me home, would you want to hang out for a bit?” I asked. “I—I’m not ready for the night to end yet.”

“I’m not either,” he said, laughing, looking over at me in my soaked jeans. “You could take off your pants if they’re bothering you. I wouldn’t mind. I can crank the heat.” He wasn’t coming on to me, I had to remind myself. That didn’t stop me from thinking about sex and getting a boner. I was so embarrassed. I needed to learn to control my sexual urges. I wasn’t twelve anymore and these constant erections were so juvenile.

“My underwear is wet too,” I said. He rummaged through the back seat before handing me a pair of his gigantic sweatpants. “Well, if I get out to change, will you watch to make sure nobody is coming?” Being naked in front of him was bad enough, but I still had a semi-hard penis in my pants. I’d just have to move quickly and keep in mind he wasn’t interested in looking in my direction.

“Yeah, of course.” He coughed slightly. “I’ll be lookout.” We both got out of his truck, and I walked to the driver’s side, which was facing the street. I held his sweatpants in my hands as I looked up at him. We just stood there looking at one another until he finally said, “Oh, sorry, I’ll turn the other way.” He shifted his body, so he wasn’t looking in my direction.

I removed my sneakers so I could take off the jeans. Then I peeled off the moist Calvin Klein briefs. I could feel the cool November breeze on my ass and balls. My heart was beating out of my chest. I wanted him to look at me and like what he saw. I wanted him to rip my shirt off so that I was completely nude in front of him. He could push me up against his truck and do whatever he wanted to me. Fuck. I had fallen for him hard. I pushed my fantasies to the back of my mind, finally pulling on the sweats and slipping my shoes back on. I could fit in one of the pant legs comfortably if I wanted to. I had to hold the waistband in a ball so they wouldn’t fall down.

“All good,” I said.

Once we were back inside of his truck, he started the engine and drove to my house. It was about a twenty-minute drive. It was nearly eleven at this point, and my parents would likely have an issue with Greg and I hanging out in the house so late when everyone else was sleeping.

“Where are we going?” he asked, whispering, following me into the backyard.

“My secret fort,” I replied.

We walked quietly for a few moments before coming to stand before a quaint wooden structure in our backyard. It had been here for nearly ten years now. My dad had built it for me, and now the twins played in it from time to time. It was a fairly simple design. It had one large entrance and two small windows. It sat on top of a large wooden base.

“I don’t think I’m gonna fit in there,” he said, laughing.

“You can fit,” I said, not entirely sure if that was true. I entered first, filling the space away from the door. There was plenty of room left, I thought. I watched him through the window. He crouched down, his body filling the entire doorway. Shit, maybe he wouldn’t fit.

He turned slightly, sucking in his stomach. He sat next to me, both of his legs hanging out of the door. “I guess we can count this as me fitting.”

“Is this how Emily Elizabeth feels dealing with Clifford?” I asked.

“Shut up,” he said, laughing. I laughed too and it just felt so right. Everything about being with him felt so effortless. I was falling in love with him. I was suddenly very sad. I couldn’t sit here and fantasize about Greg. He wasn’t interested in me, and I was deluding myself hoping for anything more than being friends. I had to stop hoping for a relationship more romantic and physical in nature. I had to be appreciative that I’d gotten to know such a kind and gentle person.

He lifted his arm and placed it around me. “Sorry, it’s a bit of a tight fit in here.”

“Oh, it’s fine.” He just needed to get more comfortable. He wasn’t making a move on me. I looked up to see if I could tell what he was thinking. I could barely see his face in the darkness, but it didn’t seem like he was feeling what I was. We sat in the dark like that for a while, just existing with one another.

“Holden?” he called, his arm still around me.

“Yeah?” I answered.

“Are you gay?” I couldn’t look at him again, and even if I could, it wouldn’t have made it any easier to understand what he was thinking. I could feel my chest tighten, my heart beating a mile a minute. I wanted to hop out of the playhouse and run as far away from here as possible, but I couldn’t just leave him out here. I also wouldn’t be able to get out of here with him blocking the door. Maybe I could squeeze through one of the tiny windows. “I mean, I don’t care if you are. Because I—I—I like you Holden. I really like you.”

“I am gay,” I said shakily. “I really like you too.” He looked down at me. I looked up at him. It was so strange how much better I could see him now.

He pulled me closer. I could feel his body heat. I could smell him. He smelled like aftershave and stage makeup and faintly of party sandwiches. His massive arm pulled me closer still. His large hand held the back of my head.

He kissed me and I kissed him back. This was nothing like kissing boys at parties this past summer at theater camp. “I gotta be honest,” he said, pulling away. “I was checking you out earlier tonight. You got a phat ass, Holden.”

He’d been looking at me? And he liked what he saw? I couldn’t believe it. I kissed his face softly, enjoying how smooth his skin was.

“Well, I’ve got to be honest with you,” I whispered. “I’ve been checking you out all year.” He smiled, his teeth bright in the night. He pulled me even closer. I could smell him even better; feel his warmth on my body. I placed my hand on his stomach, enjoying the heft of it. Greg was a fucking ten.

The patio light came on and we both jumped. “Holden?” my father called. He could probably see Greg’s legs sticking out of the playhouse.

“Yeah dad! It’s me!” I responded. “And Greg!”

“Well say goodnight and come inside. It’s getting late.” He wasn’t coming outside. He probably assumed something way raunchier was going on inside of the secret fort. “You get home safe Greg!”

“Yes sir, I will,” Greg replied. We heard the sliding sound of the patio doors. Greg shimmied his way out of the playhouse, thankfully not getting stuck. I followed and then walked him to his truck.

“Text me when you get home,” I said.

“I will.” He smiled at me. “Thanks for everything tonight. It was definitely memorable.”

He wasn’t wrong about that, and I was happy. I was so incredibly happy.

After all of that we still had seven shows to do. Kyle skipped like an entire section in the second show and Greg totally saved him by inventing new lines to get us back on track. When Kyle came off stage his face was so red! He couldn’t tell Greg he was stupid then.

I hadn’t looked directly at Greg since that night in my secret fort. I was too nervous. It had been two days and I assumed we were still, like, together, but we didn’t say anything about it. It was kind of weird. I wanted to say something, but I couldn’t. I had no lines to recite.

The morning of our third show, Kyle quit the play. I thought it was hilarious, but Mr. Murray didn’t. He was freaking out about how we still had six shows to put on. Greg told him I knew all the lines. I didn’t even want to be George anymore, not like this anyway. I had wanted to earn it.

“You can do it? You know the lines?” Mr. Murray asked frantically. I told him that I did, and he told me “Whit has nearly no lines, somebody else won’t have a problem with the role.” After that I was George.

My family came back to see the show, and Ms. Williams had been to see every single one. I got to act with Greg, which went absolutely amazing since we had been practicing together. He seemed to be doing even better with me as George instead of Kyle.

The final show actually sold out all three hundred seats. It was a Sunday matinee, and the entire football team was there—even Coach White! I couldn’t believe they all cheered for us, louder than any applause I’d ever experienced. They hooted and hollered for ten minutes, chanting Greg’s name. I think it meant a lot to him. This was some serious High School Musical-Troy Bolton-“Breaking Free” shit.

We walked out after changing and went over to Greg’s truck. We had started talking more and more. “Do you want to come over, maybe?” I asked. “My mom and dad are out of town visiting my grandma with the twins.”

“Yeah, I’m down.” He hadn’t gotten to see the inside of my house last time, so I gave him a quick tour. It was pretty big, like Kyle’s haunted mansion, but a lot more inviting. It had two floors, a basement, and an attic. My room was in the attic, which I had entirely to myself.

We entered my bedroom and I flicked on the overhead light. He looked around and noticed my bookshelf. It had mostly plays and classic literature on it. I took my bookshelf very seriously, but I swear I wasn’t pretentious about it. “Jesus, look at all these books,” he said.

“I try to read a new play every week,” I said. I sat on my bed, and he sat next to me. I leaned on his shoulder, and he moved his arm around my waist and pulled me a bit closer. I loved when he did that. “I have some I think you’d really like if you want to borrow one.”

“Yeah, I’d like that.”

“Can I kiss you?” I asked. He nodded and I got on my knees in my bed so that we were at a more even height. We kissed for the first time since the night in the playhouse. It was amazing. His lips were so soft and smooth. He pulled at my shirt, and I helped him get it off. He touched my chest, and I could feel every hair on my body stand on end. It was euphoric, yet strange, to have somebody else touch my body. I had never been touched like this before.

I pulled off his sweatshirt and my already erect penis stiffened even more. I was so glad we had the house to ourselves. He was so big. His gut was round and meaty. He had hair leading down from around his belly button to his pubic area. I finally got to feel it.

He undid his pants button at the same time I undid mine. I was so excited; I thought that my heart was going to beat out of my chest. My pants came off and I was in my black briefs. He was standing, and I was on my knees in the bed facing him. I kissed his chest. It tasted good, like clean and sweat at the same time.

“Do you have any lube?” he asked.

“It’s in the top drawer of my dresser,” I said, pointing across the room. He sauntered over to it, his back looking ridiculously sexy. I wanted to touch every part of him. I wanted to leave no area unmarked by my hands (and mouth). His jeans sagged down in the back and the slope of his lower back to the top of his ass was so extreme. I wanted to see him completely naked.

He walked back over to me, lube in hand. He stood before me again and pulled off the rest of his clothes. I reached out, touching his stomach before my hand traveled down to his dick. It was thick and long. He had to be at least nine inches. “I’m a little nervous.”

“Me too,” he said. “We can stop if you want.”

“No, I don’t want to stop. I want to do this with you.” He smiled, his large hand pushing me onto my back. He put on a condom from his wallet. He grabbed my underwear and pulled it down. My penis bobbed freely from its confine. He covered his dick with lube before gently massaging my hole with lubed up fingers.

He got on his knees as he continued massaging my hole. He brought his face close to my penis, licking the shaft. He grabbed it with his free hand and stroked it a few times before popping the head into his mouth. He sucked on it greedily, like it was some sort of tasty treat. I was so excited I thought I would cum any second.

“Greg,” I managed to get out. “You’ve got to stop or I’ll cum too soon.” He ignored me, continuing to take my entire dick in his mouth. I thought for sure it was all over, but he stopped just in time. There were no words to describe the way I was currently feeling. This was unscripted. I just had to enjoy the moment.

He stood, removing his fingers from inside me, and positioned me so that I was close enough to the edge that he could still have access to my ass. I was on my back; my legs were in the air and kind of on his chest. He bent his knees, trying to guide his penis inside of me, but he was too tall. I grabbed a pillow and placed it under my lower back, which helped considerably. “You better let me know if it hurts.” Even now he was concerned with hurting another person. I loved this guy.

He slowly entered me with the tip of his dick. He kept it there for a few moments, allowing me to get used to it before pushing more and more of himself inside of me. “It—it feels good,” I moaned. I was feeling bashful, so I covered my face with my arm.

He thrust his hips and I could feel his belly on my penis, shifting back and forth as he moved. “Move your arm,” he said assertively. “I wanna see that cute face.”

I did as he said, looking up at him. He licked his lips and it just turned me on even more.

“Fuck—,” he groaned, moving more slowly, switching up the rhythm. His belly had been rubbing me off, and I came after a few more minutes. Cum spurted on my stomach and partially on his gut. He wasn’t done yet, and he kept pushing into me at a steady pace. I was still rock hard and enjoyed the ride until he finished about a minute later.

“We’ve got to do that again,” I said, panting. I stood, my legs wobbly, and grabbed a towel from my closet so that I could clean us up.

“We most definitely do.”

We even took a shower together after that. It was a good thing we had a detachable shower head because it did make it easier for him to rinse himself off. We were both hard the entire time, and I knew we’d be very busy the rest of the night.

In the end, Greg and the rest of the football team made it to state, even taking the title. My entire family and Ms. Williams wore jerseys with his number on it. The scouts had come out to see him play and he killed it. He’d gotten multiple offers, but he was going to commit to the school closest to mine. Our campuses would only be a thirty-minute drive from one another. Greg wasn’t able to go back to wrestling. The coach, he told me, was extremely shocked by how much weight he had put on. He was well over 360 pounds, which was more than seventy pounds in a year. He spent the winter eating and conditioning and growing stronger. He may have had a belly, but that didn’t mean he didn’t have a ton of muscle.

I ended up getting a substantial role in the winter drama and the lead in the musical, so there was no more crying in the bathroom stalls for me. But honestly, even if I had been cast in a Whit-like role, I wouldn't have cared because Greg and I were together.

Kyle didn’t audition for the winter drama or the musical. It was awesome; both shows went so much more smoothly without him.

I’d been reading the play As You Like It and Shakespeare was really on to something when he said all the world’s a stage. I didn’t have to wait for lines, and I didn’t need to shrink into the background. If my life was a production, I had to make sure it was Tony-worthy. And I knew Greg would be one hell of a co-star.

The End!

#gainer stories #gainer fiction #gainer story #fatfiction #gainerfic #gainerstory #gay feeder #gay feedee #weight gain

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jpbjazz · 15 days ago

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LÉGENDES DU JAZZ

STANLEY CLARKE, L’IMPERTURBABLE

‘’That's one thing that an artist can't do -if any creative person starts listening to other people, he goes down."

- Stanley Clarke

Né le 30 juin 1951 à Philadelphie, en Pennsylvanie, Stanley Clarke est le fils de Marvin Clarke et Blanche Bundy. La mère de Clarke était chanteuse d’opéra et l’avait encouragé à apprendre la musique. Clarke avait commencé à apprendre à jouer de l’accordéonavant de passer au violon, au violoncelle et à la contrebasse. Clarke avait finalement adopté la contrebasse, car il mesurait plus de six pieds et avait de très grandes mains. Un jour, Clarke avait aperçu une contrebasse abandonnée dans un coin, et il avait décidé d’essayer d’en jouer. Clarke expliquait: "The bass was tall and I was tall; it was similar to a violin and a cello, which was the direction I was taking anyway, so I started playing the bass."

Clarke avait étudié la musique classique durant cinq ans à la Settlement Music School de Philadelphie et avait pris quelques cours de contrebasse durant ses études. Clarke avait commencé à jouer de la basse électrique à l’adolescence afin de pouvoir séduire les filles. À cette époque, Clarke avait commencé à se produire dans des fêtes dans lesquelles il imitait les groupes que les filles adoraient.

Après ses études secondaires, Clarke avait fréquenté la Philadelphia Musical Academy (devenue plus tard le Philadelphia College of the Performing Arts, puis l’University of the Arts).

DÉBUTS DE CARRIÈRE

Clarke avait amorcé a carrière professionnelle à l’âge de seulement quinze ans, comme membre du groupe du saxophoniste Byard Lancaster au club Showboat.

Après s’être installé à New York en 1970, Clarke avait fait ses débuts sur disque avec le tromboniste Curtis Fuller. Après avoir travaillé avec Horace Silver, Joe Henderson et Pharoah Sanders, puis avec le groupe Tony Williams Lifetime Experience, Stan Getz, Dexter Gordon et Art Blakey, Clarke avait collaboré avec Gil Evans et Mel Lewis.

Clarke rêvait de devenir le premier musicien de couleur à faire partie du Philadelphia Orchestra lorsqu’il avait fait la rencontre du pianiste Chick Corea. À l’époque, Corea était en train de mettre ur pied un nouveau groupe avec Stan Getz tout en écrivant de la musique pour la formation. Ces pièces avaient été publiées pour la première fois sur deux albums enregistrés en février et en mars 1972: Captain Marvel (publié sous le nom de Getz en 1974) et Return to Forever (publié sous le nom de Corea en 1972). Le jeu et les improvisations de Clarke avaient particulièrement été mises en évidence sur les deux albums. Le groupe avait aussi participé à quelques performances avec Getz en Europe. À l’époque, Return to Forever était essentiellement un groupe de studio, mais les membres de la formation n’avaient pas tardé à réaliser qu’ils avaient le potentiel de devenir un véritable groupe à succès.

La première version de Return to Forever interprétait principalement de la musique latine et utilisait exclusivement des instruments acoustiques (à l’exception du piano électrique Rhodes de Corea). Le groupe était composé de la chanteuse Flora Purim, de son époux Airto Moreira à la batterie et aux percussions, du collaborateur de longue date de Corea, Joe Farrell, au saxophone et à la flûte, et de Clarke à la basse électrique. Le premier album du groupe, intitulé Return to Forever, avait été enregistré pour les disques ECM en 1972. Le groupe, qui était passé progressivemt à une version plus orientée vers le jazz-fusion (notamment avec l’ajout du guitariste Al Di Meola et du batteur Lenny White), avait enchaîné l’année suivante avec Light as a Feather. L’album avait été enregistré pour les disques Polydor et comprenait le grand succès "Spain". Après la parution de l’album, Farrell, Purim et Moreira avaient quitté la formation pour fonder leur propre groupe. Le guitariste Bill Connors, le batteur Steve Gadd et le percussionniste Mingo Lewis s’étaient alors joints au groupe. Lenny White (qui avait joué avec Corea dans le groupe de Miles Davis) avait par la suite remplacé Gadd et Lewis à la batterie et aux percussions. Le troisième album du groupe, intitulé Hymn of the Seventh Galaxy, a été publié en 1973.

Combinaison de rock et de jazz, le jazz-fusion s’était développé au début des années 1970. Mais bien avant de se joindre au groupe Return to Forever, Clarke s’était déjà établi comme un remarquable virtuose de la basse électrique. Comme le critique Mikal Gilmore l’écrivait dans le magazine Rolling Stone: "During his tenure as bassist for Return to Forever, Clarke established himself as one of the most prodigious instrumentalists in modern music: an exceptionally nimble, resourceful electric and acoustic bassist.’’ Pour sa part, Joachim Berendt avait commenté dans son ouvrage The Jazz Book: From New Orleans to Rock and Free Jazz : "Stanley Clarke combines [Miroslav] Vitous's fluidity with Oscar Pettiford's 'soul.'"

Un peu comme Jaco Pastorius, Jack Bruce et Larry Graham, Clarke avait contribué à donner à la basse électrique ses lettres de noblesse et en avait fait un véritable instrument soliste, démontrant ainsi qu’elle pouvait jouer un rôle mélodique à part entière en plus de son traditionnel soutien rythmique. Décrivant ses premières influences, Clarke avait commenté:

‘’You can see, if you study the music, the way certain influences culminate in one player. Prior to me, there were so many types of bass players – acoustic bass players and electric bass players. Larry {Graham} was really a strong force. To many of us in the bass community, we all love Larry and look up to Larry as someone who innovated something. There were a lot of them: James Jamerson, even Paul McCartney – he was one of the first melodic bass players. In the jazz world, Charlie Mingus, Scott LaFaro, Ron Carter. I think when I came along, having listened to all of these different players, it was natural for all of these things to have this interesting convergence in my world. It’s funny, you don’t really think of it so much when you’re a player. Really, to be quite honest, I never thought of myself at first as someone who was trying to liberate the bass. It was only years later, around the time of the School Days album, that I started championing the whole idea of bass liberation.’’

Décrivant l’influence que Pastorius avait eu sur son jeu, Clarke avait précisé: ‘’I remember, I was so happy when Jaco Pastorius came on the scene. Then I didn’t feel alone. When you’re trying to do something out there, it’s always nice to have a friend, someone with similar ideas. I know many people thought that Jaco and myself would be sort of natural adversaries, but it was actually the opposite – the complete opposite. He understood what was happening with the bass: The instrument had to move forward.’’

D’abord formé comme musicien classique, Clarke était passé à la basse électrique un peu par hasard. Il expliquait: ‘’You can go to school now to learn how to play the electric bass. When I was younger, there was no literature out there for studying the electric bass. All of those early records that you’re hearing, I was only playing electric bass on the side. I was really an acoustic bass player. I just sort of developed that stuff, like most of us at that time, by picking the instrument up and doing what I could.’’

Comme Clarke l’avait déclaré dans le livre Jazz-Rock Fusion de Les DeMerle publié en 1988: "Years ago there was a fixed idea that bass players played background, and bass players have this particular theme--kind of subdued, numb, almost looking numb, and just to make a long story short, I wasn't going for any of that." Très influencé par Scott LaFaro, un contrebassiste qui avait joué avec le légendaire pianiste Bill Evans, Clarke avait démontré beaucoup d’imagination dans son jeu en trio avec les pianistes et les batteurs. Comme Clarke l’avait expliqué au magazine Rolling Stone: "I've always been more drawn to melodic than rhythmic playing... I had all these melodies running around in my head, all this knowledge of classical music I was trying to apply to r&b and jazz, and I decided it would be a loss in personal integrity just to be a timekeeper in the background, going plunk plunk thwack thwack."

Même s‘il était devenu très populaire après la parution de l’album Light as a Feather en 1973, ce qui lui avait permis d’obtenir plusieurs offres pour aller travailler avec Bill Evans, Miles Davis et même Ray Manzarek du groupe The Doors, Clarke était demeuré avec Return to Forever jusqu’en 1976 alors qu’il avait formé son propre groupe.

Corea avait enregistré un premier album solo intitulé Children of Forever en 1973. Produit par Chick Corea, l’album mettait à contribution le guitariste Pat Martino, le batteur Lenny White, le flûtiste Art Webb et les vocalistes Andy Bey et Dee Dee Bridgewater. Clarke jouait à la fois des claviers, de la basse électrique et de la contrebasse sur l’album. Publié en 1974, le second album de Clarke comme leader, simplement intitulé Stanley Clarke, avait été enregistré avec un groupe composé de de Bill Connors aux guitares acoustique et électrique, et de Jan Hammer aux synthétiseurs et au piano électrique et acoustique, et de Tony Williams à la batterie. Durant la tournée qui avait suivi la publication de l’album, le guitariste britannique Jeff Beck avait interprété la pièce ‘’Power’’ tirée du même album. Par la suite, Beck avait de nouveau collaboré à plusieurs albums de Clarke, dont Journey to Love (1975), Modern Man (1978) et I Wanna Play For You (1979). Clarke était particulièrement devenu populaire après la parution de l’album School Days en 1976. En fait, la pièce-titre de l’album avait remporté un tel succès que les amateurs avaient commencé à la réclamer lors des concerts. Commentant sa collaboration avec Beck, Clarke avait précisé:

‘’This is one of the greatest things that happened to me. It was just fun. I had this house on Long Island, and I was living out there with my wife. There was this knock on the door, and I looked out the window and there was this long limousine. This guy got out with this rooster haircut – that’s what I used to call them – and it was Jeff Beck. He knocks on my door, and I didn’t know much about him. I had definitely heard his name, but I hadn’t really gotten into his history. He comes in, and he has this really heavy accent. He’s telling me he was playing in town, and somebody gave him my address. He came over and he wanted to meet me, because he was playing a song from one of my albums. He just took a song from the first album, called “Power,” and he was playing it live. He wanted to meet me. We talked for about an hour, then he got back in the car and he left. That led to him playing on my second album, on a song called “Hello Jeff.” I called him and said: ‘Hey do you want to play?’ It was like that.’’

Décrivant sa collaboration avec le groupe Return to Forever, Clarke avait précisé: ‘’There’s a connection there that is much like the relationship between twins. Certain things, you just know the other guy is going to say this, or do that. Chick is like a big brother to me. I have known him for a long time. We’ve done a lot of things together, and Lenny is the same way.’’ Très populaire, le groupe comptait même parmi ses admirateurs Billy Joel et Elton John. Ce dernier laissait même les membres du groupe conduire sa Rolls Royce.

Même s’il est aujourd’hui davantage identifié comme musicien de jazz, Clarke avait passé la plus grande partie de sa carrière dans la musique pop. En 1979, le guitariste Ronnie Wood des Rolling Stones avait formé le groupe New Barbarians avec Clarke et Keith Richards. Deux ans plus tard, Clarke avait fondé avec le claviériste George Duke le groupe Clarke/Duke Project qui combinait le pop, le jazz, le funk et le rhythm & blues. Le duo s’était rencontré en 1971 en Finlande alors que Duke faisait partie du groupe de Cannonball Adderley. Clarke et Duke avaient enregistré ensemble pour la première fois dans le cadre de l’album de Clarke, Journey to Love en 1975. L’album comprenait le simple "Sweet Baby", qui s’était classé dans les vingt premières positions du Hit Parade. Le duo s’était de nouveau réuni dans le cadre de tournées dans les années 1990 et 2000.

Après avoir fait une nouvelle tournée avec le groupe Return to Forever au début des années 1980, Clarke avait travaillé avec Bobby Lyle, Eliane Elias, David Benoit et Michel Petrucciani. Clarke avait également joué de la basse sur les albums de Paul McCartney Tug of War (1982) et Pipes of Peace (1983). Décrivant sa collaboration avec McCartney, Clarke avait commenté: ‘’He’s a beautiful player. Of all of the recordings I’ve played on, those two records are among the most memorable. We went down to this island, and I hung out with Paul for a couple of weeks. I really, really had a lot of fun. He’s a very melodic player. Melody just comes right out of him. That’s only natural for him to play the bass like that. He does it without thinking. He’s a writer who sings songs, so it was only natural when he plays the bass, his lines would be very melodic.’’

En 1985, Clarke avait fondé The Stanley Clarke Band. Le groupe, qui avait expérimenté différents styles allant du rock au jazz en passant par le R & B, le funk, la musique classique, la musique latine et africaine, était composé de Ruslan Sirota, Beka Gochiashvili et Cameron Graves au piano, de Shariq Tucker à la batterie, de Salar Nader au tabla et Evan Garr au violon. Le groupe avait publié l’album Find Out! la même année. Avec d’autres musiciens, Clarke avait également enregistré l’album The Stanley Clarke Band qui s’était mérité un prix Grammy pour le meilleur album de jazz contemporain en 2011. La pièce "No Mystery’’ avait aussi obtenu une nomination dans la catégorie de la meilleure performance instrumentale de pop. Le groupe était composé notamment de la sensation japonaise Hiromi Uehara au piano, de Ruslan Sirota aux claviers et de Ronald Bruner Jr. à la batterie. L’album était co-produit par Clarke et Lenny White . Le groupe avait récidivé en 2018 avec The Message.

ÉVOLUTION RÉCENTE

En 1988, Clarke avait formé le groupe Animal Logic avec l’ancien batteur des Police Stewart Copeland. Le groupe comprenait également l’autrice-compositrice-interprète Deborah Holland. Clarke connaissait Copeland de longue date et avait fait sa connaissance bien avant la fondation du groupe The Police. Copeland avait aussi fait une apparition sur l’album Up de Clarke en 2014.

En 1991, Clarke avait joué en tournée avec un groupe comprenant Herbie Hancock et Wayne Shorter. En 1998, Clarke avait fondé le groupe Superband avec Lenny White, Larry Carlton et Jeff Lorber.

En 2005, Clarke avait fait une tournée en trio avec Béla Fleck et le violoniste Jean-Luc Ponty. Clarke et Ponty avaient également joué en trio avec le guitariste Al Di Meola en 1995 et enregistré l’album live The Rite of Strings. Clarke et Ponty avaient de nouveau joué en trio en 2012 avec le guitariste gitan Biréli Lagrène. Deux ans plus tard, le trio avait enregistré l’album D-Stringz.

En 2007, Clarke a publié le DVD Night School: An Evening of Stanley Clarke and Friends, un enregistrement d’un concert présenté en 2002 au Musicians' Institute de Hollywood. Dans le cadre du concert, Clarke jouait à la fois de la contrebasse et de la guitare électrique et avait été rejoint sur scène par des artistes invités comme Stewart Copeland, Lenny White, Béla Fleck, Shelia E. et Patrice Rushen.

En 2008, Clarke avait formé le trio SMV avec les bassistes Marcus Miller et Victor Wooten. Le trio avait enregistré l’album Thunder la même année. En 2009, Clarke avait publié Jazz in the Garden, un album mettant en vedette son trio composé du pianiste Hiromi Uehara et du batteur Lenny White.

En 2010, Clarke avait publié un nouvel album avec le Stanley Clarke Band, qui comprenait Hiromi au piano, Ruslan Sirota aux claviers et Lenny White à la batterie. L’album s’était mérité un prix Grammy dans la catégorie du meilleur album de jazz contemporain.

La même année, Clarke avait fondé sa propre compagnie de disques appelée Roxboro Entertainment Group. Basée à Topanga, en Californie, la compagnie avait été baptisée ainsi en hommage au high school que Clarke avait fréquenté dans les années 1960. Le premier album publié par la compagnie était un enregistrement du guitariste Lloyd Gregory et du compositeur Kennard Ramsey. Parmi les autres artistes sous contrat avec la maison de disques, on remarquait le claviériste Sunnie Paxson et les pianistes Ruslan Sirota et Beka Gochiashvili.

En 2014, Clarke avait été invité à se produire sur scène avec le groupe Primus dans le cadre de la tournée Primus and the Chocolate Factory. La tournée comprenait également comme artistes invités Stewart Copeland et Danny Carey du groupe Tool. À cette occasion, Copeland et Carey avaient interprété avec Clarke et le bassiste Les Claypool le succès de Primus intitulé "Here Come the Bastards". La même année, Clarke avait enregistré Up, un album réalisé notamment avec son ancien partenaire de Return of Forever, Chick Corea au piano, le guitariste Jimmy Herring du groupe Widespread Panic et Steward Copeland à la batterie. En 2018, Clarke avait publié The Message, un album du Stanley Clarke Band mettant en vedette Cameron Graves aux synthétiseurs, Beka Gochiashvili au piano et Mike Mitchell à la batterie. Le rapper Doug E. Fresh et le trompettiste Mark Isham avaient également participé à l’album. Continuant de connaître de fréquents changement de personnel, le Stanley Clarke Band était composé en 2019 de Cameron Graves et de Beka Gochiashvili au piano, de Shariq Tucker à la batterie, de Salar Nader au tabla et d’Evan Garr au violon.

En 2020, Clarke avait été invité à enseigner au Bass Bootcamp animé par le bassiste Gerald Veasley. Le camp, qui avait lieu à Philadelphie, permettait aux bassistes de tous âges d’étudier avec plusieurs professeurs et professionels de l’instrument comme Richard Waller, Rob Smith, Freekbass et Michael Manring. Malheureusement, le camp avait dû être reporté à l’année suivante en raison de la pandémie de la COVID-19. Très impliqué dans le développement de la relève, Clarke avait également fondé la Stanley Clarke Foundation, une organisation caritative qui accorde des bourses à des jeunes musiciens talentueux à chaque année.

Également compositeur de bandes sonores pour la télévision et le cinéma, Clarke était notamment l’auteur de la musique de la série télévisée Pee-wee's Playhouse (1986-1990), qui avait été mise en nomination pour un prix Emmy. Clarke avait aussi écrit la musique des films Boyz n the Hood (1991), Passenger 57 (1992), What's Love Got to Do with It (1993), Poetic Justice (1993), Romeo Must Die (2000), The Transporter (2002), First Sunday (2008), Soul Men (2008), The Best Man Holiday (2013), Barbershop: The Next Cut (2016). Il était également l’auteur des trames sonores des émissions de télévision Waynehead (1996-1998), Static Shock (2000-2004), A Man Called Hawk et Soul Food (2000-2004) et Lincoln Heights (2006-2009). En plus d’avoir plus de 75 bandes sonores à son actif, Clarke a aussi écrit la musique du vidéo "Remember the Time" de Michael Jackson. En 2019, Clarke avait également composé la trame sonore du documentaire Halston de Frédéric Tcheng. Le film raconte l’histoire incroyable du désigner américain Roy Halston Frowick.

Comme contrebassiste, Clarke avait toujours utilisé une technique assez particulière. Lorsqu’il joue de la basse électrique, Clarke place sa main droite de façon à ce que ses doigts s’approchent des cordes un peu comme il l’aurait fait avec une contrebasse, mais avec un angle de 90 degrés. Afin de réaliser tout cela, Clarke devait placer son avant-bras au-dessus et parallèlement aux cordes. Pendant ce temps, son poignet était placé en crochet vers le bas afin de former un angle droit. Lorsqu’il jouait en solo, Clarke frappait les cordes vers le bas, ce qui permettait de produire un son beaucoup plus percussif. Commentant l’approche très ‘’métallique’’ de son jeu, Clare avait précisé: "I found from plucking the strings in various ways that just the slightest movement can change your whole sound.’’

Clarke démontrait également énormément de rapidité dans ses solos. Comme il l’avait expliqué au cours d’une entrevue accordée au magazine Guitar Player: "On electric bass, I use any finger, even my thumbs--anything!... I pluck mainly with three fingers. I have certain patterns that I can only play with four fingers. Sometimes when I get to those real fast runs that just fly, they'll be a fourth finger in there to help play it."

Clarke se sert de contrebasses Alembic depuis 1973. En plus de se innovations comme musicien, Clarke avait également développé ses propres instruments comme une basse électrique piccolo et une basse électrique ténor.

Mis en nomination à de nombreuses reprises au gala des prix Grammy (il en a remporté trois à ce jour), Clarke avait également été lauréat s’un prix Grammy pour le meilleur album instrumental en 2011 dans le cadre des 12th Annual Latin Grammy Awards. Le prix avait été décerné conjointement à Clarke, Chick Corea et Lenny White pour l’album Forever. Clarke s’était également vu accorder un Lifetime Achievement Award par le magazine Bass Player en 2006. Le Festival international de jazz de Montréal a également décerné à Clarke un Miles Davis Award en 2011. Clarke a aussi été élu Jazz Master par la National Endowment for the Arts en 2022.

Clarke est aussi titulaire de deux doctorats honorifiques décernés respectivement par l’Université of the Arts de Philadelphie en 2008 et le Music Institute de Philadelphie en 2009. Clarke a également été élu bassiste de l’année dans le cadre de plusieurs sondages des lecteurs des magazines Down Beat et Playboy. Il a aussi été nommé artiste de jazz de l’année en 1977 dans le cadre du sondage de lecteurs du magazine Rolling Stone. Clarke est également membre de la “Gallery of Greats’’ du magazine Guitar Player. Depuis 2016, une partie des instruments et des enregistrements de Clarke font partie de la collection du Smithsonian’s National Museum of African American History and Culture (NMAAHC) de Washington, D.C.

En plus de ses activités de musicien et de compositeur, Clarke avait également agi comme producteur pour des artistes comme le guitariste Roy Buchanan et les chanteuses Dee Dee Bridgewater et Flora Purim. Il avait même chanté à l’occasion sur les albums de Return to Forever et sur ses propres enregistrements. En plus d’avoir tenu une chronique sur la basse dans des magazines durant un certain temp, Clarke projette actuellement d’écrire un manuel didactique en plusieurs volumes sur la contrebasse. Il précisait: "I'm writing a book on acoustic bass, maybe three or four volumes. It's going to be the full thing--everything that anyone would want to know about the acoustic bass."

Décrivant sa philosophie de la musique, Clark avait déclaré: "I don't feel I should have to make music to satisfy anyone. But I do feel that one of an artist's fundamental duties is to create work other people can relate to. I'd be a fool to do something nobody else was going to understand."

Même si Clarke était considéré comme un excellent musicien, son passage du jazz vers le jazz-fusion n’avait pas toujours été bien accueilli par critiques. Les plus récents projets de Clarke avec les musiciens rock, comme sa collaboration avec le New Barbarians de Ronnie Wood et l’ajout de thèmes de la musique pop dans sa musique, avaient terni sa réputation auprès de certain puristes. Mikal Gilmore écrivait dans le magazine Rolling Stone: "Clarke has seemed to temper his talent, opting instead to play fairly prosaic, overbusy variations of rhythm & blues and even heavy-metal music." Gilmore s’était montré particulièrement amer envers la collaboration de Clarke avec George Duke. Commentant une collaboration de Clarke avec Duke et Sonny Rollins, Chris Albertson du magazine Stereo Review avait déploré: "Pianist George Duke and bassist Stanley Clarke, men of great jazz potential who were bitten by the chart bug before they could show us more than the tip of their talent, here prove that they have spent too much time in fusionland.’’ Dans son compte tendu de l’album Hollywood de Maynard Ferguson sur lequel Clarke avait agi comme producteur, Don Heckman écrivait dans le magazine High Fidelity: "The title certainly tells you what to expect. But if there are any doubts, note that the album was 'produced and directed' by Stanley Clarke... Jazz? Forget it."

Mais malgré toutes les critiques dont il avait été l’objet, Clarke avait toujours refusé de se laisser ébranler. Lorsqu’un critique du magazine Down Beat avait demandé à Clarke si un musicien avait déjà changé son fusil d’épaule en raison des critiques de la presse, il avait simplement rétorqué: "I've seen guys do that, and I've seen them go right down the drain, too. That's one thing that an artist can't do--if any creative person starts listening to other people, he goes down." Déterminé à continuer d’explorer différents styles, Clarke avait défendu le caractère éclectique de sa musique en ces termes: ‘’It would get boring for me if I just did one thing and played just one type of music for the rest of my life. I don't think I could take it." Dans une entrevue accordée au magazine Rolling Stone, Clarke avait tenu à préciser: "I know it upsets some people, but I could never be a conservative jazz musician."

Mais il y avait parfois des revirements étonnants. Reconnaissant qu’il avait peut-être été trop sévère avec Clarke, le critique Chris Albertson écrivait: "I used to think of Stanley Clarke as one of the defectors, a jazz man drawn away from his art by the waving of the green. Now I am inclined to think that I did Clarke an injustice." Caractérisé par un remarquable charisme et par une grande présence sur scène, Clarke avait inspiré le commentaire suivant à Bill Milkowski du magazine Down Beat: "Clarke remains the same crowdpleaser he always was, an engaging presence with a flashing smile, playing up the rock theatrics during his explosive solos."

Stanley Clarke a épousé Carolyn Helene Reese le 29 novembre 1974. Le couple a eu un fils, Christopher Ivanhoe. Tout comme Chick Corea, Clarke était membre de l’Église de Scientologie.

SOURCES:

‘’Stanley Clarke.’’ Wikipedia, 2023.

‘’Stanley Clarke.’’ National Endowment for the Arts, 2023.

‘’Stanley Clarke Biography.’’ Net Industries, 2023.

‘’Stanley Clarke, bass-playing jazz legend: Something Else! Interview’’. Something Else, 2023.

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